Download Human Anatomy for Art Students by Alfred Downing Fripp PDF
By Alfred Downing Fripp
The main concise, obtainable advisor to rendering the human physique in artwork. Illustrations and cross-sections provide readers examples of human skeletal and muscular substructures and info of person physique elements, to let the main targeted visible activity of human shape and movement.
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Extra resources for Human Anatomy for Art Students
Example text
The triangular area, with its apex below, is continuous with the sinuous posterior border of the shaft, which is also subcutaneous in the whole length of the bone. The shaft tapers towards the wrist where the lower end of the ulna presents two prominences separated by a deep groove. The larger, the head of the ulna, is very obvious on the back of the wrist in the pronated position. The slenderer styloid process is detected with more difficulty by the examining finger. Notice that the ulna tapers from elbow to wrist in about the same delicate graduation as does the undissected forearm, and that its shaft is not only concave forwards throughout its whole length, but when viewed from before back, it is concave outwards towards the radius.
The The superior. " c. The external, sometimes called the head of the head of the humerus and the scapula, which, with the connecting ligaments, forms the shoulder- joint. The three processes of the scapula are a. The spine or spinous process (Fig. 2, p. 36). This is a well-marked bony ridge which projects backwards from the dorsal surface. It begins internally at the junction of the upper and second quarter of the vertebral border, and becomes more prominent externally, where it terminates in the second process.
The part of the temporal bone above the meatus articulates with the parietal bone, and is called squamous, because of its likeness to a fish scale. The zygomatic process is a prolongation forwards from the outer surface of the temporal bone, just above the external auditory meatus. It forms, together with a similarly named process of the malar bone, the zygomatic arch, under which the temporal muscle passes to its insertion, and from which the masseter muscle arises. The Bones of the Face 56, 58), — Besides (Figs.