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Finally (in this section) where ImpOSCar now offers the Function knob that controls the polyphony, the OSCar has a knob that activates a 'Hold' function and a basic arpeggiator (see above). ImpOSCar has moved these toward the lower left of the panel, regrettably detaching them from the Triggering and Tempo controls that are explicit to their operation. On a more positive note, the arpeggiator now offers up, down, up/down and random modes, and you can synchronise it to the internal clock or to MIDI.
But will it give In Use OSCar's fans a case of the grouches? Conclusions Gmedia ImpOSCar £100 pros Not just an OSCar... it fulfils much of the promise of OSC's unreleased ASG polysynth. It offers additional features in all areas of synthesis, such as velocity sensitivity, the simple but useful effects section, and the 16-voice polyphony. It generates a huge range of analogue, digital, and hybrid sounds. I've been hammering it for over a month, and it hasn't crashed yet! cons There's no stand-alone version available yet.
ImpOSCar has moved these toward the lower left of the panel, regrettably detaching them from the Triggering and Tempo controls that are explicit to their operation. On a more positive note, the arpeggiator now offers up, down, up/down and random modes, and you can synchronise it to the internal clock or to MIDI. htm (7 of 15)9/22/2005 6:07:56 PM Gmedia ImpOSCar As with everything that has gone before, the LFO (below) expands upon the facilities of the OSCar, upping the original six waveforms to 12.