Download Yes Is the Answer: (And Other Prog-Rock Tales) by Marc Weingarten, Tyson Cornell PDF
By Marc Weingarten, Tyson Cornell
Revolutionary rock is maligned and misunderstood. Critics hate it, hipsters scoff at it. Yes Is The Answer is a pointed rebuke to the prog-haters, the 1st literary anthology dedicated to the sub style. that includes acclaimed novelists, Rick Moody, Wesley Stace, Seth Greenland, Charles Bock, and Joe Meno, in addition to musicians Matthew candy, Nathan Larson, and Peter Case, convinced Is the answer's the 1st ebook that dares to thoughtfully reclaim prog-rock as a topic worthwhile of great attention. So take a Topographic trip right into a twenty first Century Schizoid land of Prog-Lit!
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From the Preface :
This publication illustrates a set of track manuscripts which was once made lately to learn the basis for modern functionality Arts. the gathering was firm through conditions instead of any means of choice. hence it indicates the numerous instructions during which track notation is now going. The manuscripts aren't prepared in response to different types of song, yet alphabetically based on the composer's identify. No explanatory info is given.
The textual content for the publication is the results of a procedure utilising I-Ching probability operations. those made up our minds what number phrases concerning his paintings have been to be written via or approximately which of 2 hundred and sixty-nine composers. the place those passages (never greater than sixty-four phrases, occasionally just one) were in particular written for this publication, they're preceded by means of a paragraph signal and through the author's identify. different comments have been selected or written through the editors - John Cage and Alison Knowles. not just the variety of phrases and the writer, however the typography too - letter dimension, depth, and typeface - have been all decided by accident operations. This method was once with a view to reduce the variation among textual content and illustrations. The composition of the pages is the paintings of Alison Knowles.
A precedent for the textual content is the Questionnaire. (The composers have been requested to put in writing approximately notation or some· factor proper to it. ) A precedent for the absence of data which characterizes this e-book is the modern aquarium (no longer a gloomy hallway with every one species in its personal illuminated tank separated from the others and named in Latin): a wide glass residence with all of the fish in it swimming as in an ocean. the gathering of manuscripts constitutes an archive, the contents of that are indexed on the finish of this e-book. The editors are thankful to the various composers and song publishers who've made this presentation of mid-twentieth century track notation attainable.
Yes Is the Answer: (And Other Prog-Rock Tales)
Innovative rock is maligned and misunderstood. Critics hate it, hipsters scoff at it. certain Is the answer's a pointed rebuke to the prog-haters, the 1st literary anthology dedicated to the sub style. that includes acclaimed novelists, Rick Moody, Wesley Stace, Seth Greenland, Charles Bock, and Joe Meno, in addition to musicians Matthew candy, Nathan Larson, and Peter Case, convinced Is the answer's the 1st publication that dares to thoughtfully reclaim prog-rock as an issue invaluable of significant attention.
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Extra resources for Yes Is the Answer: (And Other Prog-Rock Tales)
Sample text
T h e explicit musical leitmotifs and the majesty and eloquence of the rhetoric and instrumentation give both movements an evocative musical nationalism. But the F-minor T r i o masquerades, appropriately, as a neoclassical essay in "absolute" formal music. 84 T h e element of Czechness sneaks in in a manner that makes the player and listener, at the end, acknowledge tacitly the equality and power of the Czech element within the discourse of high art. In the Fourth Symphony (1874), Dvorak inserts Czech elements within a Wagnerian musical envelope.
In ordinary language some system of translation seemed plausible, despite the gap between meaning and significance in the use of literal equivalents in different languages. Music was not susceptible to such translation. Darwin's scientific intervention exploded the illusion of a single universal musical aesthetic. It also questioned a uniform historical process of evolution by granting the primitive the capacity for "prompt and high development" in music. " 36 Inherent in Darwin's scheme were both the concession to radical cultural differences in types of musical communication, all socially effective, and the judgment that the advanced European form was aesthetically superior.
The prominence of Russian literary figures—particularly Tolstoy, Turgenev, and later Dostoyevsky— and the visibility of the Russian emigre intellectual community in the nineteenth century helped add to the special magic. Even though Balakirev and Tchaikovsky (with whom Dvofak maintained a good relationship), like their Russian literary counterparts, Pushkin and Tolstoy, used Western European models to mediate the Slavic and Russian, the national element was expected and embraced. 17 This positive sensibility, both in Germany and in France, lasted into the era of the Ballets Russes.