Download Boring Girls: A Novel by Sara Taylor PDF
By Sara Taylor
A visceral tale of friendship, tune, and bloody revenge
Rachel appears like she doesn't slot in — until eventually she unearths heavy steel and meets Fern, a kindred spirit. the 2 shape their very own band, however the steel scene seems to be no varied than the misogynist global they wish to alter. Violent encounters increase, and the buddies come to a decision there's just one method ahead . . .A bloodstained trip into the darkish center of the song undefined, dull ladies lines Rachel's lethal coming of age, Fern at her facet. because the insanity deepens, their band's good fortune heightens, and their style for revenge grows starving.
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From the Preface :
This ebook illustrates a suite of track manuscripts which used to be made in recent times to profit the basis for modern functionality Arts. the gathering was firm by means of conditions instead of any strategy of choice. therefore it indicates the numerous instructions during which tune notation is now going. The manuscripts usually are not prepared based on varieties of track, yet alphabetically in accordance with the composer's identify. No explanatory info is given.
The textual content for the e-book is the results of a procedure applying I-Ching probability operations. those decided what number phrases concerning his paintings have been to be written by way of or approximately which of 2 hundred and sixty-nine composers. the place those passages (never greater than sixty-four phrases, occasionally just one) were particularly written for this publication, they're preceded by way of a paragraph signal and by means of the author's identify. different comments have been selected or written via the editors - John Cage and Alison Knowles. not just the variety of phrases and the writer, however the typography too - letter measurement, depth, and typeface - have been all made up our minds accidentally operations. This method was once so one can decrease the adaptation among textual content and illustrations. The composition of the pages is the paintings of Alison Knowles.
A precedent for the textual content is the Questionnaire. (The composers have been requested to put in writing approximately notation or some· factor appropriate to it. ) A precedent for the absence of knowledge which characterizes this e-book is the modern aquarium (no longer a dismal hallway with every one species in its personal illuminated tank separated from the others and named in Latin): a wide glass residence with the entire fish in it swimming as in an ocean. the gathering of manuscripts constitutes an archive, the contents of that are indexed on the finish of this e-book. The editors are thankful to the various composers and song publishers who've made this presentation of mid-twentieth century track notation attainable.
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Additional resources for Boring Girls: A Novel
Example text
With the aim of identifying new and evolving career trajectories, models and strategies, our research targeted music practices and practitioners. We addressed the primary research questions: (1) What are the new music industries? (2) What constitutes career development within these industries? (3) How do artists manage career development and/or a sustainable trajectory within the new industries? The research team brought together investigators with a range of expertise. Our team was comprised of experienced practitioners in several areas of music including music production, artist development, music education and artist management.
So, a lot of the work I do is helping people find their own independent team that replicates or replaces the old traditional label model. Major labels can thus become more reactive by waiting to see which artists demonstrate signs of effective strategies and exponential growth before assisting in subsequent career development. Major record labels devolving risk relates primarily to our Entrepreneur and DIY models, although in the digital economy, all three models may be relevant particularly if labels function as service providers.
While we focus on the new music industries, we also discuss some industries in this chapter that are not specifically related to music. We therefore acknowledge that some of the new industries are not dedicated music industries but encompass music practices such as crowdfunding sites. 9. All comments attributed to John Watson in this chapter are taken from a keynote question-and-answer session he delivered at the BIGSOUND conference in Brisbane on 12 September, 2013. BIGSOUND is an industry conference that includes presentations, panels and performance showcases (BIGSOUND, 2016).