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By Martin Geck

Das flüssig geschriebene Buch informiert über den aktuellen Stand der Bach-Forschung.

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From the Preface :

This e-book illustrates a suite of tune manuscripts which was once made in recent times to learn the basis for modern functionality Arts. the gathering was firm via conditions instead of any means of choice. therefore it exhibits the various instructions within which song notation is now going. The manuscripts usually are not prepared in response to different types of tune, yet alphabetically in accordance with the composer's identify. No explanatory details is given.

The textual content for the ebook is the results of a approach applying I-Ching probability operations. those decided what percentage phrases relating to his paintings have been to be written by way of or approximately which of 2 hundred and sixty-nine composers. the place those passages (never greater than sixty-four phrases, occasionally just one) were specially written for this ebook, they're preceded by way of a paragraph signal and by means of the author's identify. different comments have been selected or written by way of the editors - John Cage and Alison Knowles. not just the variety of phrases and the writer, however the typography too - letter measurement, depth, and typeface - have been all decided by accident operations. This procedure used to be in an effort to decrease the variation among textual content and illustrations. The composition of the pages is the paintings of Alison Knowles.

A precedent for the textual content is the Questionnaire. (The composers have been requested to jot down approximately notation or some· factor proper to it. ) A precedent for the absence of data which characterizes this ebook is the modern aquarium (no longer a dismal hallway with every one species in its personal illuminated tank separated from the others and named in Latin): a wide glass apartment with all of the fish in it swimming as in an ocean. the gathering of manuscripts constitutes an archive, the contents of that are indexed on the finish of this publication. The editors are thankful to the various composers and song publishers who've made this presentation of mid-twentieth century song notation attainable.

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Additional info for »Denn alles findet bei Bach statt«: Erforschtes und Erfahrenes

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Eine zweite Runde sinnfälliger Choreographie findet in T. 40–59 statt: Die Solisten stellen sich jeweils zwei Takte lang mit dem Ritornellkopf vor und reichen dann im Abstand eines Taktes den fünften Takt des Ritornells wie in einer Stafette weiter. In der dritten Runde (T. 60–83) sind die Solisten zunächst mit ihrem jeweiligen Vortrag des zweitaktigen Solothemas besonders herausgehoben, denn das Ripieno schweigt. Allerdings ist der Satz dichter als in der ersten Solisten-Runde; außerdem steuert die Blockflöte eine Seufzerfigur bei, in welche die Violine nach zwei Takten einstimmt.

Ihnen wurden viele Texte unterlegt, von denen Hans-Joachim Schulze einen solchen Erdmann Neumeisters mitteilt, um ihn dem Arientext gegenüberzustellen: Du strenge Flavia, Ist kein Erbarmen da? Soll noch dein Herze Stein? Die Seele Felsen sein? Unser trefflicher, lieber Kammerherr ist ein kumpabler Mann, Den niemand tadeln kann. Denkt man sich beide Texte ineinander, so erscheinen die Lobsprüche für Dieskau in einem anderen Licht, könnten den Cavalier möglicherweise als amourösen Abenteurer erscheinen lassen.

Ein spezielles Sinnzentrum der Brandenburgischen Konzerte könnte also um die Anstrengung zentriert sein, auf möglichst vielen Ebenen faßlich und zugleich künstlich zu komponieren; und der markgräfliche Auftraggeber mag – seinen höhe- Faßlich und künstlich. Das 2. Brandenburgische Konzert 39 ren Kunstsinn einmal vorausgesetzt – auch selbst Interesse an der Frage gehabt haben, wie ein Original wie Bach auf »die Italiener« reagiert. Was faßlich oder künstlich ist, läßt sich zudem jeweils nur im Blick auf bestimmte Bezugsgrößen erwägen.

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