Download Edgar Allan Poe: A Phenomenological View (Princeton Legacy by David Halliburton PDF

By David Halliburton

Via trying to droop ethical, ideological, or mental assumptions, a phenomenological interpretation of literature hopes to arrive "the issues themselves," the basic phenomena of being, house, and time, as they're constituted, by way of recognition, in phrases. even if there was a practice of phenomenological feedback in Europe for the final two decades, David Halliburton is the 1st to put in writing a normal learn of an American writer from this actual element of view.

The booklet starts off with a methodological bankruptcy that units out the assumptions and strategies of the method. this is often by way of analyses of Poe's significant works, exploring such precise difficulties as Poe's therapy of the cloth international, together with expertise; the interrelation of physique and realization; poetic voice; attitudes towards girls; and the need to confirmation, plenitude, and harmony. the guts of curiosity is neither Poe's biography nor surroundings yet continuously the that means of Poe's phrases. simply because those works are formed by means of a unmarried mind's eye and since they're skilled in time, as a strategy, each one paintings has its personal "way of going." the purpose of the translation is to discover this fashion and go together with it; to reside each one paintings dynamically, because it "happens," whereas tracing its interplay with different works.

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Additional info for Edgar Allan Poe: A Phenomenological View (Princeton Legacy Library)

Example text

At the same time one satisfies the need for vagueness and indefiniteness, those familiar desiderata of Poe's criticism. But the negatives are more than that. They are of the very essence of a poem, for "Tamerlane" is the history of a being that negates itself. " Instead of explaining to the confessor what the confessor can do for him, the emperor explains what he cannot do. Tamerlane has not sent for him in a spirit of hope; he is not mad enough to think of an earthly power can shrive him; but he would not berate the priest because the priest does not have the gift of hope.

In other works, such as the city poems, or "The Haunted Palace," the rendered phenomenon is given, for lack of a better term, objectively. 4 * As in the case of power there is substantial precedent in literature and the history of ideas for a preoccupation with states of being. The problem fascinated Rousseau, whose reflections on the subject in the fifth promenade of Les Reveries du promeneur solitaire is a high point of that work. " That is the bare outline of a definition that we can begin to fill out not by further abstractions but by looking at specific texts.

At the same time, if to a lesser degree, it adapts its subject to itself, as scientists have come to recognize, inasmuch as the investigator is himself implicated in the field he explores. The literary interpreter, too, must take himself into account—he must become critically self-conscious. He must above all re­ spect the conscious, intentional, human nature of the object he investigates, and develop those methods and procedures which are suited to that object. The chief of these, according to E.

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