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By François Noudelmann

On connaît l'engagement politique de Sartre, ses déclarations contre l. a. colonisation, ses harangues sur un tonneau de Billancourt... Mais sait-on qu'en pleine euphorie militante il réservait chaque jour du temps pour le piano, déchiffrant des walls de Chopin ou Debussy ? L'homme qui incarnait son siècle vivait des intensités et des rythmes secrets and techniques. remark l. a. philosophie s'accorde-t-elle à cette pratique en contrebande ? Nietzsche, qui se rêvait compositeur plus que philosophe, adopta le piano comme son diapason, los angeles desk d'évaluation de ses idées, l'instrument de ses transfigurations intimes. Il joua sa vie sur le clavier, même pendant sa folie. Décider de vivre en musique have interaction le corps amoureux. Barthes le comprit : le piano lui offrit une échappée hors des discours savants. Musicien, il découvrit une autre érotique, tantôt berceuse enfantine, tantôt pourvoyeuse de pulsions. los angeles pratique du piano ne laisse pas intact le reste des jours : doigtés, allures, sensualités, tout se livre sur los angeles touche.

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From the Preface :

This ebook illustrates a set of song manuscripts which was once made lately to learn the basis for modern functionality Arts. the gathering was firm through situations instead of any strategy of choice. therefore it exhibits the various instructions during which tune notation is now going. The manuscripts should not prepared in keeping with sorts of tune, yet alphabetically based on the composer's identify. No explanatory info is given.

The textual content for the booklet is the results of a strategy utilizing I-Ching likelihood operations. those decided what number phrases concerning his paintings have been to be written by means of or approximately which of 2 hundred and sixty-nine composers. the place those passages (never greater than sixty-four phrases, occasionally just one) were specially written for this ebook, they're preceded via a paragraph signal and by way of the author's identify. different comments have been selected or written by means of the editors - John Cage and Alison Knowles. not just the variety of phrases and the writer, however the typography too - letter measurement, depth, and typeface - have been all made up our minds by accident operations. This method was once on the way to decrease the variation among textual content and illustrations. The composition of the pages is the paintings of Alison Knowles.

A precedent for the textual content is the Questionnaire. (The composers have been requested to put in writing approximately notation or some· factor proper to it. ) A precedent for the absence of data which characterizes this publication is the modern aquarium (no longer a dismal hallway with each one species in its personal illuminated tank separated from the others and named in Latin): a wide glass residence with the entire fish in it swimming as in an ocean. the gathering of manuscripts constitutes an archive, the contents of that are indexed on the finish of this booklet. The editors are thankful to the numerous composers and tune publishers who've made this presentation of mid-twentieth century tune notation attainable.

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