Download Listen to This by Alex Ross PDF
By Alex Ross
One in all The Telegraph’s top track Books 2011
Alex Ross’s award-winning overseas bestseller, The leisure Is Noise: hearing the 20th Century, has develop into a modern vintage, establishing Ross as one in all our most well liked and acclaimed cultural historians. take heed to This, which takes its identify from a cherished 2004 essay in which Ross describes his late-blooming discovery of father music, showcases the easiest of his writing from greater than a decade at the recent Yorker. those items, devoted to classical and popular artists alike, are without delay erudite and energetic. In a formerly unpublished essay, Ross brilliantly retells 1000s of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass traces of party and lament. He vibrantly sketches canonical composers similar to Schubert, Verdi, and Brahms; gives us in-depth interviews with glossy pop masters resembling Björk and Radiohead; and introduces us to tune scholars at a Newark high tuition and indie-rock hipsters in Beijing.
Whether his topic is Mozart or Bob Dylan, Ross exhibits how tune expresses the entire complexity of the human . Witty, passionate, and brimming with perception, Listen to This teaches us the way to hear extra heavily.
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From the Preface :
This ebook illustrates a suite of song manuscripts which used to be made lately to learn the basis for modern functionality Arts. the gathering was firm through conditions instead of any means of choice. therefore it exhibits the numerous instructions within which tune notation is now going. The manuscripts should not prepared in line with sorts of song, yet alphabetically based on the composer's identify. No explanatory details is given.
The textual content for the booklet is the results of a strategy making use of I-Ching probability operations. those made up our minds what percentage phrases concerning his paintings have been to be written by means of or approximately which of 2 hundred and sixty-nine composers. the place those passages (never greater than sixty-four phrases, occasionally just one) were specifically written for this booklet, they're preceded through a paragraph signal and by way of the author's identify. different comments have been selected or written by way of the editors - John Cage and Alison Knowles. not just the variety of phrases and the writer, however the typography too - letter measurement, depth, and typeface - have been all made up our minds unintentionally operations. This method used to be that allows you to reduce the variation among textual content and illustrations. The composition of the pages is the paintings of Alison Knowles.
A precedent for the textual content is the Questionnaire. (The composers have been requested to put in writing approximately notation or some· factor suitable to it. ) A precedent for the absence of knowledge which characterizes this ebook is the modern aquarium (no longer a dismal hallway with each one species in its personal illuminated tank separated from the others and named in Latin): a wide glass residence with all of the fish in it swimming as in an ocean. the gathering of manuscripts constitutes an archive, the contents of that are indexed on the finish of this ebook. The editors are thankful to the numerous composers and track publishers who've made this presentation of mid-twentieth century track notation attainable.
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Additional resources for Listen to This
Sample text
67, no. 3 (May–June 2012), pp. 45–52. 6. ” 7. Most useful to me were the writings of J. Peter Burkholder (see “Works Cited”). 8. Jannika Bock, Concord in Massachusetts, Discord in the World: The Writings of Henry Thoreau and John Cage (Frankfurt am Main: Peter Lang Internationaler Verlag der Wissenschaften, 2008). 9. : Northwestern University Press, 2008). 10. Christopher Shultis, Experimental Music and Writings, 1988– 1994 (New York: American Composers Edition, 2012).
The Writings of Henry D. : Princeton University Press, 1986). 3. Christopher Shultis, “Saying Nothing: John Cage and Henry David Thoreau’s Aesthetics of Co-Existence,” in Tijdschrift voor Muziektheorie, vol. 3, no. 3 (November 1998), pp. , in Neue Zeitschrift für Musik, vol. 168, no. –Feb. 2007), pp. 54–58. 4. “Silencing the Sounded Self: John Cage and the Intentionality of Nonintention,” in Musical Quarterly, vol. 79, no. 2 (Summer 1995), pp. 312–350. 5. The best source, referencing much of the important Cage scholarship written between the time of my book’s publication and the present, is Rob Haskins’s critical biography John Cage (London: Reaktion Books, 2012).
Most useful to me were the writings of J. Peter Burkholder (see “Works Cited”). 8. Jannika Bock, Concord in Massachusetts, Discord in the World: The Writings of Henry Thoreau and John Cage (Frankfurt am Main: Peter Lang Internationaler Verlag der Wissenschaften, 2008). 9. : Northwestern University Press, 2008). 10. Christopher Shultis, Experimental Music and Writings, 1988– 1994 (New York: American Composers Edition, 2012).