Download Music and Manners in France and Germany, Volume 3: A Series by Henry Fothergill Chorley PDF
By Henry Fothergill Chorley
Henry Fothergill Chorley used to be song critic of The Athenaeum for over thirty years. This three-volume ebook, released in 1841, originated in a magazine written through Chorley whereas vacationing in Europe. His objective was once to 'illustrate the current nation of theatrical, orchestral, and chamber song abroad', targeting features that might be least general to an English readership. There are special debts of Paris and Berlin, with prominence given to opera, theatre, artwork galleries and monuments. Chorley additionally describes visits to Brunswick, Leipzig, Dresden and Nuremburg, and performances by means of artists together with Mendelssohn and Liszt. He intersperses anecdotes approximately shipping, accommodations, landscapes and native customs. Chorley's incisive and unique eyewitness money owed will fascinate music-lovers and theatre historians, in addition to others drawn to the acting arts or commute writing within the nineteenth-century. quantity three describes visits to Leipzig, Dresden, Nuremburg and Paris.
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From the Preface :
This publication illustrates a suite of track manuscripts which used to be made in recent times to profit the basis for modern functionality Arts. the gathering was firm by way of situations instead of any means of choice. hence it exhibits the numerous instructions within which track notation is now going. The manuscripts are usually not prepared in line with sorts of song, yet alphabetically in accordance with the composer's identify. No explanatory details is given.
The textual content for the booklet is the results of a strategy applying I-Ching likelihood operations. those decided what number phrases concerning his paintings have been to be written through or approximately which of 2 hundred and sixty-nine composers. the place those passages (never greater than sixty-four phrases, occasionally just one) were specifically written for this e-book, they're preceded through a paragraph signal and by way of the author's identify. different feedback have been selected or written through the editors - John Cage and Alison Knowles. not just the variety of phrases and the writer, however the typography too - letter measurement, depth, and typeface - have been all decided accidentally operations. This procedure used to be on the way to reduce the adaptation among textual content and illustrations. The composition of the pages is the paintings of Alison Knowles.
A precedent for the textual content is the Questionnaire. (The composers have been requested to put in writing approximately notation or some· factor proper to it. ) A precedent for the absence of data which characterizes this e-book is the modern aquarium (no longer a depressing hallway with every one species in its personal illuminated tank separated from the others and named in Latin): a wide glass condo with the entire fish in it swimming as in an ocean. the gathering of manuscripts constitutes an archive, the contents of that are indexed on the finish of this e-book. The editors are thankful to the numerous composers and track publishers who've made this presentation of mid-twentieth century track notation attainable.
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Extra info for Music and Manners in France and Germany, Volume 3: A Series of Travelling Sketches of Art and Society
Sample text
French to the very heart — an upholder of romanticism in its wildest excesses — he re- THE ENTHUSIASTS. 31 turned; sate down in the city of his election; and, partly criticising, partly composing—here venting a flood of vitriolic sarcasm, or a flight of high-toned poetry — there elaborating a march or a scherzo, which at least, by its strangeness, set all the world a-quarrelling; — by wielding now the pen, now the baton; — always peremptory, always egotistical; often presumptuous, often violent, — with a certain wild and chivalrous elevation of mind, and devotion to Art, to which a stormy and difficult career has borne testimony,— he has at last written and composed himself into a place of honour and regard at Paris; the singular result of indomitable self-will and unity of purpose.
So vivid was the sensation he produced — to such a point did he strike all imaginations — that to stop at the reality was impossible. We saw all the legends of sorcery and magic of the Middle Ages revived on his behalf; the marvels of his talent were extended to the events of his life: — it was attempted to explain his inexplicable genius by facts still more inexplicable. The world did all but believe that he had sold his soul to a demon; or, at least, that having strangled his wife, he had made of one of her sinews that fourth string, upon which he played his most D 3 38 PARISIAN AUTHORITIES.
The balance and self-submission necessary for the thorough reception and firm hold of a subject so complex as Music, are wanting to her nature. I dare not say that the honest adoption of a creed would have made Madame Dudevant a critic of the rarest excellence; but I would declare boldly, that a disordered life, and a faith whose c 4 24 PARISIAN AUTHORITIES. moving principle is a feverish unrest — and which clings to all things because it will bind itself to none, —can but produce hectic judgment, and indiscriminating enthusiasm.