Download Music for Geeks and Nerds by Pedro Kroger PDF

By Pedro Kroger

Are you curious about studying extra approximately song yet have came across such a lot fabric condescending or to provide issues magically rather than logically? the good news is that a lot of song will be understood with programming and math, issues you're already sturdy at! during this ebook you'll study a few components of song from a programmer's viewpoint. You'll find out about the primitives of track resembling notes and length, the technique of combining these primitives into reasons and chords, operations comparable to transposition, retrograde, and inversion, and the technique of abstraction (phrases and shape) utilizing Python and a few simple arithmetic. each idea during this publication is defined in English with a corresponding implementation in Python, utilizing the Pyknon track library.

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From the Preface :

This publication illustrates a suite of song manuscripts which was once made lately to profit the basis for modern functionality Arts. the gathering was firm via situations instead of any technique of choice. therefore it indicates the various instructions during which tune notation is now going. The manuscripts usually are not prepared in keeping with varieties of song, yet alphabetically in response to the composer's identify. No explanatory details is given.

The textual content for the publication is the results of a technique using I-Ching likelihood operations. those made up our minds what number phrases relating to his paintings have been to be written by way of or approximately which of 2 hundred and sixty-nine composers. the place those passages (never greater than sixty-four phrases, occasionally just one) were in particular written for this ebook, they're preceded by means of a paragraph signal and by means of the author's identify. different comments have been selected or written by way of the editors - John Cage and Alison Knowles. not just the variety of phrases and the writer, however the typography too - letter dimension, depth, and typeface - have been all decided accidentally operations. This approach used to be for you to decrease the adaptation among textual content and illustrations. The composition of the pages is the paintings of Alison Knowles.

A precedent for the textual content is the Questionnaire. (The composers have been requested to write down approximately notation or some· factor proper to it. ) A precedent for the absence of knowledge which characterizes this ebook is the modern aquarium (no longer a gloomy hallway with each one species in its personal illuminated tank separated from the others and named in Latin): a wide glass condo with all of the fish in it swimming as in an ocean. the gathering of manuscripts constitutes an archive, the contents of that are indexed on the finish of this booklet. The editors are thankful to the various composers and tune publishers who've made this presentation of mid-twentieth century track notation attainable.

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Extra info for Music for Geeks and Nerds

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There’s a clue, because she’s still talking to him, or he to her— one isn’t sure. “When you see me coming, look ’cross the rich man’s field,” if I don’t bring you something, I’ll bring you something else, at least that much was clear—and part of an old story: If I don’t bring you silver, I’ll bring you gold, etc. Only then, in the song’s third and last movement, does it get truly strange. The Mississippi River, you know it’s deep and wide, I can stand right here, See my baby from the other side.

But any of this is to miss the point almost entirely. A. to the romanticized figure of the lone terrorist, even one draped in Third World nobility, tells us much more about the listener than the singer. Much more about habits of thought than about the music. There are always stories to be told about individuals, and about particular places, and these are stories we like to tell. But what would it mean to really think “the local is the global,” and to fold the idea that “the personal is the political” back into the aw- 0306817823-Marcus_Layout 1 8/17/09 12:55 PM Page 25 Joshua Clover 25 ful, exhausting, thrilling knowledge that the political is the political?

That was a good verse. That was snappy. Eddie and Oscar, a polished, almost formal country-blues duo out of North Carolina (Eddie was white, Oscar was black), had already copied that. Johnson probably heard it from them. But when he went— When the train, it left the station, With two lights on behind, Ah, when the train left the station, With two lights on behind, Well, the blue light was my blues, And the red light was my mind. All my love’s in vain. —that was something else. Johnson knew it was something else.

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