Download Music Notation in the Twentieth Century: A Practical by Kurt Stone PDF
By Kurt Stone
During this finished and definitive survey of present notation methods, Kurt Stone has introduced order to a box typically fraught with confusion and idiosyncrasy. He not just describes and recommends new tools for notating glossy track, thereby constructing typical systems for the current and destiny, yet integrates them with conventional practices nonetheless in use. the result's a advisor to all sorts of notation utilized in critical song today.
Stone is certainly one of many world's top experts on modern track notation and its difficulties. As head of the Index of recent Musical Notation, he gathered and classified the myriad new units showing in released track of this century. In collaboration with expert performers and conductors, he evaluated those units with a purpose to verify their effectiveness in useful software. on the foreign convention on New tune Notation 1974, a consensus used to be sought from the 80 engaging musicians from eighteen diversified international locations. the consequences were integrated into this quantity within the clearest and so much direct means. conventional notation is given targeted therapy, constituting, because it does, the foundation for plenty of of the cutting edge units. The booklet is geared up to facilitate the site of particular details and for simple reference. A minutely particular index is supplied as an extra and vital software.
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From the Preface :
This e-book illustrates a set of song manuscripts which was once made lately to profit the basis for modern functionality Arts. the gathering was resolute through situations instead of any strategy of choice. hence it indicates the numerous instructions within which tune notation is now going. The manuscripts will not be prepared in line with types of song, yet alphabetically in response to the composer's identify. No explanatory info is given.
The textual content for the booklet is the results of a method applying I-Ching probability operations. those decided what percentage phrases relating to his paintings have been to be written by way of or approximately which of 2 hundred and sixty-nine composers. the place those passages (never greater than sixty-four phrases, occasionally just one) were particularly written for this publication, they're preceded via a paragraph signal and by means of the author's identify. different comments have been selected or written through the editors - John Cage and Alison Knowles. not just the variety of phrases and the writer, however the typography too - letter dimension, depth, and typeface - have been all made up our minds by accident operations. This procedure used to be with the intention to decrease the variation among textual content and illustrations. The composition of the pages is the paintings of Alison Knowles.
A precedent for the textual content is the Questionnaire. (The composers have been requested to jot down approximately notation or some· factor suitable to it. ) A precedent for the absence of data which characterizes this ebook is the modern aquarium (no longer a gloomy hallway with every one species in its personal illuminated tank separated from the others and named in Latin): a wide glass apartment with all of the fish in it swimming as in an ocean. the gathering of manuscripts constitutes an archive, the contents of that are indexed on the finish of this e-book. The editors are thankful to the various composers and track publishers who've made this presentation of mid-twentieth century song notation attainable.
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Extra resources for Music Notation in the Twentieth Century: A Practical Guidebook
Example text
Although theoreti cally superfluous, they are often of cruci al value to the performer. The simples t rule as to whether to add a cautionary accidental or not is: When in doubt, add it: C. ) "G"lo G~G" 10 G# #need not Here is the same exampl e with the break fro m line to line one measure later : U-J no 55 ( . after many notes and \ many flats) ~AJIO~ + (Here the parentheses may be omitted) ~ (to warn of Ihe augmented fourth) G . In Scores In general, the use of cautionary accidentals should depend only on what goes on within each instrument , but once in a while situ ation s arise which are greatly clar ified by cautionary accidental s.
Lowest note lIighest note ·t i~d half-notes should be used in lieu of a whole-note . ) 2. SLOW SLIDES These are glissandos with indefinite opening pitches : 5traight slide Curved slide For string instruments, two or more triangular notes may be used to indicate the highest notes of two or more strings, played simultaneously. If only one triangular note is used, it always means the highest pitch of the instrument, and thus of the highest string. ) Note that the stems go to the center of the notes .
SLURS AND TIES IN COMBINATION WITH ARTICULATION SIGNS In slurred passages with accents and other articulation signs, the slur should begin and end between the note-head (or stem-end) and the accent. , should be covered by the slur: Fermatas in slurred passages are treated like accents: >~ ~~>'-=-> >--~> g@$=~ 44 MUSIC NO TATION IN T HE TWENTIETH CE NTU RY 8"" signs should always be outside the slur: GENERAL CONVENTIONS 8--------, ~~ In vocal music all accent s should appear above the music. while staccato do ts and tenuto lines gener ally appear at the note-heads even if they point down .