Download Narratives of Nation in the South Pacific (Studies in by Ton Otto PDF
By Ton Otto
It really is extraordinary that during many Pacific international locations, 'national' narratives are subordinate to different primary historic imaginings, akin to these referring to neighborhood political dynasties and conversion to Christianity. whereas leaders in Pacific states have often sought to valid new countries via neighborhood 'tradition' and 'custom', those buildings of id usually masks divisions coming up from gender, hierarchy, and different social relationships. those experiences from Papua New Guinea, Vanuatu, Samoa and the cook dinner Islands upload a lot to our wisdom of historic imaginings and modern tradition within the Pacific, yet bring up wider questions about the present transformation of nationwide identities.
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For each and every person can be assigned a fixed identity derived from a particular narration of the past, which in turn determines the scope and manner of their political expression for both the present and the future. CONCLUSION Depending on the issues at stake, it is evident that the past can be mined for precedents or practices which support particular interests in the present and point to certain paths to be followed in 30 NARRATIVES OF NATION IN THE SOUTH PACIFIC the future. In this sense the past, which is understood and narrated in terms of ‘tradition’, is something of a reservoir out of which certain items can be selected and defrosted for the right occasion.
It is in this context that the political significance of tradition in much of the contemporary Pacific is best understood, and in which the idea of tradition gains the distinct normative overtones that underscore the ideology of traditionalism. TRADITION AS IDEOLOGY As we have seen, the concept of ‘tradition’ evokes, first and foremost, an image of the historic past, and the linkages between this past and the present through elements of continuity which give 24 NARRATIVES OF NATION IN THE SOUTH PACIFIC it a certain authoritative status.
Narokobi predominantly uses the we-form to formulate his vision; therefore, in rhetorical form at least, he assumes the authority to write on behalf of a group. At the same time he describes his role as an artist and a writer who wants ‘to create a new society, based on the new and the old/ In the interview we returned to this apparent contradiction. Narokobi explained that particularly in jural matters his authority to formulate a ‘Melanesian norm’ concerning a particular question had often been challenged by his Western colleagues.