Download Postcolonial Studies: A Materialist Critique by Benita Parry PDF
By Benita Parry
This strong number of essays proposes practices of studying and feedback to make the sector of postcolonial stories extra totally aware of old situations and socio-material stipulations. Benita Parry issues to 'directions and useless ends' within the self-discipline she has helped to form, with a primary sequence of essays vigorously demanding colonial discourse idea and postcolonialism as we have now identified them. She then turns to literature with a sequence of specific readings that not just reveal her theoretical place at paintings, but in addition supply new dimensions to largely studied texts by means of Rudyard Kipling, Joseph Conrad, H. G. Wells and E. M. Forster. Parry argues all through that the fabric impulses of colonialism, its appropriation of actual assets, exploitation of human labour and institutional repression have too lengthy been allowed to recede from view.
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Additional info for Postcolonial Studies: A Materialist Critique
Example text
The announcement of the 1984 Essex Sociology of Literature Conference, ‘Europe and its Others’, from which ‘colonialism’ and ‘imperialism’ are conspicuously absent, stated that the objective of the conference was to produce ‘a general archaeology of europocentric discourses’ which would identify strategies of discrimination and control and engage with theories of the psychological constitution of the subject.
I am not a prisoner of history . . it is only by going beyond the historical, instrumental hypothesis that I will initiate the cycle of my freedom’ (Black Skin, White Masks, pp. 225–226, 229, 231). The enabling conditions for Fanon’s analysis are that an oppositional discourse born in political struggle, and at the outset invoking the past in protest against capitulating to the colonizer’s denigrations, supersedes a commitment to archaic native traditions at the same time as it rejects colonialism’s system of knowledge: The colonialist bourgeoisie .
When discussing Nadine Gordimer’s novels, JanMohamed reads their enunciation of the white liberal consciousness negotiating the splits of South African society as an authentic articulation of an existential condition, and not as a contrivance bearing an interpretation of a crisis which occludes alternative and emergent discourses of dissent. That there is no significant connection in Gordimer’s fiction between the white and black worlds is attributed by JanMohamed to the restraints on a socially formed and positioned author; while the ‘objective narration’ of African culture is ascribed to the writer’s awed refusal to violate its rhythms, meanings and mysteries.