Download Talking Jazz With Ben Sidran: Volume 2: Solo Voices by Ben Sidran PDF

By Ben Sidran

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Miles Davis, Gil Evans, Dizzy Gillespie, Jon Hendricks, Max Roach, Betty Carter, Jackie McLean, Don Cherry, Sonny Rollins, McCoy Tyner, Archie Shepp, Herbie Hancock, Tony Williams, Keith Jarrett, Wynton Marsalis, and Jack DeJohnette—these are only the various jazz musicians whose conversations with Ben Sidran are recorded during this quantity.

In stimulating, own, and informative discussions, they not just exhibit their personalities, but additionally aspect facets of the functionality, method, company, historical past, and feelings of jazz. Newly extended with formerly unpublished dialogues with David Murray, Dr. John, and Mose Allison, speaking Jazz is definitely the simplest oral background of modern and modern jazz.

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From the Preface :

This ebook illustrates a set of song manuscripts which used to be made lately to learn the basis for modern functionality Arts. the gathering was firm via conditions instead of any technique of choice. therefore it indicates the various instructions during which tune notation is now going. The manuscripts aren't prepared in line with types of track, yet alphabetically in line with the composer's identify. No explanatory info is given.

The textual content for the publication is the results of a procedure utilising I-Ching probability operations. those decided what percentage phrases concerning his paintings have been to be written via or approximately which of 2 hundred and sixty-nine composers. the place those passages (never greater than sixty-four phrases, occasionally just one) were specially written for this ebook, they're preceded via a paragraph signal and by means of the author's identify. different feedback have been selected or written by way of the editors - John Cage and Alison Knowles. not just the variety of phrases and the writer, however the typography too - letter measurement, depth, and typeface - have been all decided unintentionally operations. This method was once to be able to reduce the variation among textual content and illustrations. The composition of the pages is the paintings of Alison Knowles.

A precedent for the textual content is the Questionnaire. (The composers have been requested to jot down approximately notation or some· factor proper to it. ) A precedent for the absence of data which characterizes this publication is the modern aquarium (no longer a depressing hallway with each one species in its personal illuminated tank separated from the others and named in Latin): a wide glass residence with all of the fish in it swimming as in an ocean. the gathering of manuscripts constitutes an archive, the contents of that are indexed on the finish of this ebook. The editors are thankful to the various composers and tune publishers who've made this presentation of mid-twentieth century song notation attainable.

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Sgt. Pepper's Lonely Hearts membership Band (1967) represents the highpoint of the recording occupation of the Beatles. this can be a specific research of this album, and it demonstrates how critical dialogue of renowned tune will be undertaken with no failing both the process or the track. Dr. Moore considers each one track separately, tying his research to the recorded functionality on disk, instead of the broadcast tune.

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Extra resources for Talking Jazz With Ben Sidran: Volume 2: Solo Voices

Sample text

So that’s what happened. That is a very classical way to do jazz, you know. Just from the nub, you know? And now, our young musicians are very well trained. Those people are well trained! And it’s good, because they can step anywhere. Ben: But what about the question of style? Dizzy: Style will have to come for itself. Ben: You can’t teach it can you? Dizzy: No. You cannot do that. That’s what makes it so great, man. You cannot teach it. You can teach someone to appreciate it. But as far as style, that is the way you play.

Miles: Yeah, that’s right. Duke is one of my favorite composers. Just lately, I have been hearing in my head “Rain Check,” that he wrote. Ben: You mentioned Coltrane’s sound on the soprano saxophone. At one point, Coltrane said that he had been hearing a higher sound in his head, but that it wasn’t until he got his hands on the soprano that he was actually able to realize what he had been hearing internally all along. 49 Miles: Right. See, it takes a long time for guys to develop. You know what I mean?

But that’s it for me. All the rest, people think I do this, I do that. Yeah, I do that and this. I might do a lot of things, but the main thing that I love, that comes before everything, even 56 breathing, is music. That’s it, you know. Nothing. I buy Ferraris, yeah, but music is always there. Right here. Ben: And that means that you’re going to have to keep hanging out with musicians ... Miles: That’s right. Ben: And you’re going to have to keep your ear tuned to the radio, and you’re going to have to plug in all the latest equipment?

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