Download Technologies of History: Visual Media and the Eccentricity by Steve F. Anderson PDF
By Steve F. Anderson
Applied sciences of background is an engrossing and cutting edge attention of the way heritage is built this day, exploring our most simple courting to heritage and the varied contributions of visible and computational media to conceptions of the prior. Embracing the sorts of historical past provided via experimental movie, tv, games, and electronic media, Steve F. Anderson mines the inventive and discursive power of this profane and esoteric historiography. He deals a hugely readable and continually attention-grabbing dialogue of historiography in visible media, with an emphasis on exchange or impressive histories, together with superstar Trek time commute episodes, pretend documentaries, motion pictures made from domestic videos and located photos, and games approximately cultural traumas corresponding to the siege at Waco and the assassination of President John F. Kennedy. studying artifacts from the main advertisement Hollywood product to the modernist avant-garde, this daring and impressive polemic seeks to deal with historians, media students, and normal readers alike, encouraging all to acknowledge, have interaction with, and even perhaps study from those heterodox histories and the robust sway they carry over our historic attention.
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Extra resources for Technologies of History: Visual Media and the Eccentricity of the Past (Interfaces: Studies in Visual Culture)
Example text
Painful events may be rewritten in terms of less-threatening relations of cause and effect: space aliens helped kill John F. Kennedy (Dark Skies); Adolf Hitler consorted with vampires (Forever Knight); Mussolini and Nixon gained power through the intervention of a mean-spirited genie (The X‑Files); and so on. ” 3 The fabrication of unreal histories thus functions as both a substitute for the real past and an expression of the impulse to recover the power of history for the future. In either case, the past is invested with a redemptive or even healing capacity.
In addition to its obvious connection to the 1994 movie of the same title, Timecop echoes the pursuit through time of Jack the Ripper in Time after Time (1979) as well as the PBS children’s game show Where in Time Is Carmen San Diego? which pits junior historian-sleuths against a gang of thieves who rampage through time, stealing artifacts and altering the past. In all of these cases, the possibility of time travel is conceived simultaneously as a threat to the “natural progression of history” and an opportunity to go back and correct transgressions of the past according to a contemporary, enlightened sensibility.
And according to the show’s creators, Bryce Zabel and James Parriott, “This is being presented as alternative history. Everyone has their favorite conspiracies, but we will challenge and expand on those by building a framework that adds consistency to the Fantastic History · 37 alien-awareness theories. . ” 39 But clearly this show is not about historiography in any conventional sense—nor is Dark Skies adequately described as simply a show about memory or nostalgia, though it is both at times.