Download The New Music Industries: Disruption and Discovery by Diane Hughes, Mark Evans, Guy Morrow, Sarah Keith PDF
By Diane Hughes, Mark Evans, Guy Morrow, Sarah Keith
This research-based publication outlines profession versions for artists, tools of inventive engagement, creative recommendations together with individuality and branding, creation practices, the realities of being a musician within the new industries, and implications for renowned tune schooling. as a result of profound results of the digitisation of song, the tune industries have gone through swift transformation. the previous checklist label ruled has been supplanted by means of new industries, together with electronic aggregators, strategists and on-line systems. those new song industries now facilitate ‘direct’ entry to either artists and their track. whereas such accessibility and the possibility of artist publicity have by no means been higher, the problem to face out or to even navigate a musical profession pathway is bold. an invaluable source for musicians and educators, this article highlights the ways that the hot tune industries facilitate elevated possibilities for twenty first Century renowned musicians to collaborate, speak and engage with others attracted to their song.
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From the Preface :
This e-book illustrates a set of tune manuscripts which was once made in recent times to profit the root for modern functionality Arts. the gathering was firm by means of situations instead of any strategy of choice. hence it exhibits the various instructions during which song notation is now going. The manuscripts should not prepared in response to sorts of track, yet alphabetically in response to the composer's identify. No explanatory info is given.
The textual content for the booklet is the results of a strategy making use of I-Ching likelihood operations. those made up our minds what percentage phrases relating to his paintings have been to be written through or approximately which of 2 hundred and sixty-nine composers. the place those passages (never greater than sixty-four phrases, occasionally just one) were specially written for this booklet, they're preceded through a paragraph signal and by way of the author's identify. different feedback have been selected or written via the editors - John Cage and Alison Knowles. not just the variety of phrases and the writer, however the typography too - letter measurement, depth, and typeface - have been all decided accidentally operations. This method used to be so that it will decrease the variation among textual content and illustrations. The composition of the pages is the paintings of Alison Knowles.
A precedent for the textual content is the Questionnaire. (The composers have been requested to write down approximately notation or some· factor proper to it. ) A precedent for the absence of knowledge which characterizes this publication is the modern aquarium (no longer a dismal hallway with each one species in its personal illuminated tank separated from the others and named in Latin): a wide glass residence with the entire fish in it swimming as in an ocean. the gathering of manuscripts constitutes an archive, the contents of that are indexed on the finish of this booklet. The editors are thankful to the various composers and track publishers who've made this presentation of mid-twentieth century track notation attainable.
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Additional resources for The New Music Industries: Disruption and Discovery
Example text
With the aim of identifying new and evolving career trajectories, models and strategies, our research targeted music practices and practitioners. We addressed the primary research questions: (1) What are the new music industries? (2) What constitutes career development within these industries? (3) How do artists manage career development and/or a sustainable trajectory within the new industries? The research team brought together investigators with a range of expertise. Our team was comprised of experienced practitioners in several areas of music including music production, artist development, music education and artist management.
So, a lot of the work I do is helping people find their own independent team that replicates or replaces the old traditional label model. Major labels can thus become more reactive by waiting to see which artists demonstrate signs of effective strategies and exponential growth before assisting in subsequent career development. Major record labels devolving risk relates primarily to our Entrepreneur and DIY models, although in the digital economy, all three models may be relevant particularly if labels function as service providers.
While we focus on the new music industries, we also discuss some industries in this chapter that are not specifically related to music. We therefore acknowledge that some of the new industries are not dedicated music industries but encompass music practices such as crowdfunding sites. 9. All comments attributed to John Watson in this chapter are taken from a keynote question-and-answer session he delivered at the BIGSOUND conference in Brisbane on 12 September, 2013. BIGSOUND is an industry conference that includes presentations, panels and performance showcases (BIGSOUND, 2016).