Download The NPR Curious Listener's Guide to Classical Music by Tim Smith PDF
By Tim Smith
For the newbie or the devotee—it's every thing the classical song buff must know.
The significant composers from Bach and Bartok to Rachmaninoff and Tchaikovsky
Significant performers from Maurice Andre and Leornard Bernstein to Georg Solti and Yo Yo Ma
The landmark works from Appalachian Spring to Don Juan
A concise historical past of classical music
A deconstruction of the artwork form
The language of classical music
Valuable assets for the Curious Listener
Read or Download The NPR Curious Listener's Guide to Classical Music PDF
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From the Preface :
This e-book illustrates a suite of tune manuscripts which was once made lately to learn the root for modern functionality Arts. the gathering was firm by way of conditions instead of any technique of choice. therefore it exhibits the numerous instructions within which track notation is now going. The manuscripts are usually not prepared in keeping with types of tune, yet alphabetically in keeping with the composer's identify. No explanatory info is given.
The textual content for the publication is the results of a method utilizing I-Ching probability operations. those decided what percentage phrases concerning his paintings have been to be written by means of or approximately which of 2 hundred and sixty-nine composers. the place those passages (never greater than sixty-four phrases, occasionally just one) were particularly written for this e-book, they're preceded via a paragraph signal and by means of the author's identify. different comments have been selected or written by means of the editors - John Cage and Alison Knowles. not just the variety of phrases and the writer, however the typography too - letter measurement, depth, and typeface - have been all decided by accident operations. This method was once with the intention to reduce the adaptation among textual content and illustrations. The composition of the pages is the paintings of Alison Knowles.
A precedent for the textual content is the Questionnaire. (The composers have been requested to put in writing approximately notation or some· factor correct to it. ) A precedent for the absence of knowledge which characterizes this booklet is the modern aquarium (no longer a dismal hallway with each one species in its personal illuminated tank separated from the others and named in Latin): a wide glass residence with the entire fish in it swimming as in an ocean. the gathering of manuscripts constitutes an archive, the contents of that are indexed on the finish of this e-book. The editors are thankful to the various composers and song publishers who've made this presentation of mid-twentieth century track notation attainable.
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Sgt. Pepper's Lonely Hearts membership Band (1967) represents the highpoint of the recording occupation of the Beatles. this can be a designated examine of this album, and it demonstrates how critical dialogue of well known tune may be undertaken with out failing both the strategy or the tune. Dr. Moore considers every one music separately, tying his research to the recorded functionality on disk, instead of the published track.
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Extra resources for The NPR Curious Listener's Guide to Classical Music
Sample text
37 Her work is of enormous value in providing a framework for understanding inherited experience and inter-generational mnemonic transmission, and particularly the complex relations of first- and second-hand experience among Holocaust 22 Photography, Music and Memory survivors and their offspring. 38 In addition to this, Hirsch’s key term seems to have built into it a set of temporal assumptions concerning ‘pre’ and ‘post’ that suggest reliance on a linear, progressive conception of time as a consequence of which it cannot provide an adequate analysis of how mnemonic transmission and synthesis operate, never mind account for the phenomenological sense of time dilating or expanding in relation to arresting experiences or memories of them.
3 It is this kind of complementarity that we want to pursue in thinking about media and memory. We want to do so because it is not as if auditory and visual cultures never meet, interact or play off each other. Throughout the past century they have been used together, as well as separately, as ways of representing or evoking the past. 4 We have undertaken the research that is drawn on this book in order to cut through such clichéd uses of personal photography and popular music, and discover instead what family snapshots or pieces of music mean for people in the vernacular connections they maintain, or forge, with the past.
In this respect, the approach we have taken to the case studies accords with our overall attempt to give due light to what is dissident, at least in relation to the rest of the data we have gathered, while also attempting to establish and set out the loose patterns that are identifiable within that data, relating these to the balance we tried to achieve across informants in the social categories of gender and generation, social class and ethnicity. Here our intention from the get-go was not to build a statistically representative sample but instead to select participants from these categories on the basis of their citation as possible sources of variation in personal media use and practices of remembering.