Download The Road to Woodstock: From the Man Behind the Legendary by Michael Lang PDF

By Michael Lang

August 15, 1969. Richie Havens, the 1st act of the Woodstock tune and paintings reasonable, takes the level and welcomes a crowd of a number of hundred thousand to the golf green fields of Max Yasgur's farm—which is instantly changing into the second-largest urban in manhattan country. individuals are dancing, imbibing, assembly, and supporting the ever-increasing circulate of latest acquaintances arrange camp. past the fields, the roads are jammed with automobiles and folks, a few of whom were touring for days to arrive the pageant web site. Havens enthusiastically grants folk-blues criteria and Beatles songs, then starts to improvise, riffing at the chorus "Freedom." Freedom is on the middle of the concord of this landmark cultural event—along with brotherhood, love, and peace. the subsequent 3 days are the conclusion of months and years of dreaming and making plans, the results of miracles and crises and coincidences.

The tale of the competition starts with Michael Lang, a child out of Bensonhurst, Brooklyn, who loved to smoke a joint and hear jazz and who finally came across his method to Florida, the place he opened a head store and produced his first festival—Miami Pop, that includes Jimi Hendrix, Frank Zappa, and others. within the overdue sixties, after settling in Woodstock, he started to envision a song and humanities pageant the place parents may come and remain for a number of days amid the agricultural fantastic thing about upstate manhattan. the belief crystallized while Lang talked it over with Artie Kornfeld, a songwriter and A & R guy, and with different younger males they shaped Woodstock Ventures. They booked expertise, from Janis Joplin and the Who to the almost unknown Santana and Crosby, Stills and Nash; gained over brokers and promoters; introduced within the Hog Farm commune to establish campgrounds; employed a peacekeeping strength; took on fleets of volunteers; appeased the Yippies; and have been run out of 1 city and located one other web site weeks sooner than the festival.

On the floor with the expertise, the townspeople, and his handpicked staff, Lang had a different and panoramic viewpoint of the competition. improved by way of interviews with others who have been principal to the making of the pageant, the line to Woodstock tells the tale from suggestion to party, shooting the entire magic, mayhem, and dirt in among.

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This ebook illustrates a suite of tune manuscripts which was once made lately to learn the basis for modern functionality Arts. the gathering was firm via conditions instead of any technique of choice. hence it exhibits the various instructions during which tune notation is now going. The manuscripts usually are not prepared in accordance with different types of song, yet alphabetically in line with the composer's identify. No explanatory info is given.

The textual content for the ebook is the results of a strategy applying I-Ching probability operations. those decided what number phrases concerning his paintings have been to be written via or approximately which of 2 hundred and sixty-nine composers. the place those passages (never greater than sixty-four phrases, occasionally just one) were particularly written for this e-book, they're preceded through a paragraph signal and by way of the author's identify. different feedback have been selected or written by way of the editors - John Cage and Alison Knowles. not just the variety of phrases and the writer, however the typography too - letter dimension, depth, and typeface - have been all decided unintentionally operations. This technique was once so that it will reduce the adaptation among textual content and illustrations. The composition of the pages is the paintings of Alison Knowles.

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Ek figured we were in financial trouble because of the rain and demanded to be paid before any cash left the premises. The Brink’s guard, whose mission was to collect the box office receipts and transport the cash box to the bank, was not about to back down. They were yelling at each other, with me in the middle; then both sides went for their guns. I was petrified, but I knew there was a possibly more dangerous situation brewing outside. I instinctively tried to change the energy in the room. ” I shouted as I put my hands up.

The Head Shop South opened on Sunset Boulevard with rock and roll in the streets. I booked a local band to play and the place was mobbed. The kids in South Florida still looked pretty straight—not a lot of longhairs like in New York and San Francisco—but they were eager to check us out. Unfortunately, so were the chief of police and Wackenhut agents—a notorious private security force that operated like the DEA. On opening day, they showed up, looked around, and the next day shut us down for operating without a license.

At that point, marijuana had already become associated with jazz musicians and the Beats but was not in the public eye. Irwin and I first lit up on a fall afternoon at Sethlow Park, just outside our junior high school. I actually remember my very first joint: It was rolled on yellow papers, and after the joint was lit, the marijuana seeds inside kept popping. This was long before hydroponics and the elimination of seeds. At first I didn’t get high. Marty had explained to Irwin how to inhale and hold it in.

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