Download The Twelve-Tone Music of Luigi Dallapiccola by Brian Alegant PDF
By Brian Alegant
Luigi Dallapiccola was once certainly one of 20th century's so much entire and in demand composers. His tune included a few of the twelve-tone options constructed by way of Arnold Schoenberg, Alban Berg, and Anton von Webern, yet mixed their expressionistic impulses with an Italianate experience of lyricism. Brian Alegant's The 12-tone music of Luigi Dallapiccola lines the evolution of Dallapiccola's compositional procedure over a thirty-year interval (1942-74). utilizing either old and music-analytical lenses, this ebook records the affects of Webern and Schoenberg, highlights Dallapiccola's leading edge dealing with of concord, shape, and textual content environment, and sheds mild on a number of works which have been almost missed. Alegant's publication might be an important resource of insights for students and different readers drawn to twentieth-century track. Brian Alegant is Professor of tune idea on the Oberlin university Conservatory.
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From the Preface :
This ebook illustrates a suite of song manuscripts which used to be made lately to learn the root for modern functionality Arts. the gathering was firm via conditions instead of any means of choice. hence it indicates the numerous instructions within which track notation is now going. The manuscripts are usually not prepared based on types of song, yet alphabetically in response to the composer's identify. No explanatory info is given.
The textual content for the e-book is the results of a procedure applying I-Ching likelihood operations. those made up our minds what percentage phrases concerning his paintings have been to be written by way of or approximately which of 2 hundred and sixty-nine composers. the place those passages (never greater than sixty-four phrases, occasionally just one) were specially written for this booklet, they're preceded by means of a paragraph signal and by way of the author's identify. different feedback have been selected or written through the editors - John Cage and Alison Knowles. not just the variety of phrases and the writer, however the typography too - letter measurement, depth, and typeface - have been all decided by accident operations. This technique was once so as to decrease the adaptation among textual content and illustrations. The composition of the pages is the paintings of Alison Knowles.
A precedent for the textual content is the Questionnaire. (The composers have been requested to jot down approximately notation or some· factor suitable to it. ) A precedent for the absence of knowledge which characterizes this publication is the modern aquarium (no longer a depressing hallway with each one species in its personal illuminated tank separated from the others and named in Latin): a wide glass condominium with all of the fish in it swimming as in an ocean. the gathering of manuscripts constitutes an archive, the contents of that are indexed on the finish of this booklet. The editors are thankful to the various composers and tune publishers who've made this presentation of mid-twentieth century tune notation attainable.
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Extra resources for The Twelve-Tone Music of Luigi Dallapiccola
Sample text
Similarly, the chromatic segments in strict P and RI rows descend in pitch while those in I and R rows ascend. From another perspective, these set classes and intervallic patterns tell us where we are in a given row (namely, at the beginning, middle, or end). Once we are able to identify the the pitch realizations of set-classes [012], [037], and [0369], we can then begin to associate them. 3. We can easily connect the chromatic
Each hand, and each measure, completes a double aggregate. 5(d) reveals. Here, finally, the intervallic profile of the row is laid bare. In a sense, then, the openings of Op. 33a and Sex carmina alcaei are mirror images of each other: Schoenberg begins with cross partitions, and slowly unpacks them in order to reveal the row’s linear profile, whereas Dallapiccola begins with a single unadorned row and then arranges it into a variety of configurations. indd Sec2:23 4/5/2010 10:18:04 PM 24 dallapiccola’s serial odyssey, 1942–1972 Ultimately, it doesn’t matter whether Dallapiccola came to cross partitions on his own or whether he appropriated them from Schoenberg, Berg, or another composer.
Vcl. Vla. Low I-1 Bn. Hn. Fl. — I-2 — I-3 Vla. I-1 Hn. Cl. — Bn. I-1 I-3 — Vla. — — — Vcl. for analysis. 4 can help us navigate the maze of individual rows. For instance, strict P and R rows project tightly packed major triads whereas strict I and RI rows project tightly packed minor triads. Similarly, the chromatic segments in strict P and RI rows descend in pitch while those in I and R rows ascend. From another perspective, these set classes and intervallic patterns tell us where we are in a given row (namely, at the beginning, middle, or end).